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Tape Cassette

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App Store Description:

Tape Cassette is an easy to use audio plugin that gives your music warmth, noise and character. Whether it’s an effect on the master for an overall lofi / indie texture, or as an insert to warm up individual channels, Tape Cassette gives you the tools to turn your music into a cosy, nostalgic listening experience. Take the plugin into experimental territory by using the wow & flutter parameters and spin your sounds into a frenzy, or use the saturation parameter to heat up the sounds into a distorted cacophony.

Parameters:
⁃ Saturation (+/-24dB)
⁃ Low Pass Filter (8-22KHz)
⁃ Noise -80 to 0 dB
⁃ Wow 0 - 100%
⁃ Flutter 0 - 100%

Tape Cassette is both a stand-alone application as well as an AUv3 plugin, meaning it works within iOS hosts such as GarageBand.

EQ560

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App Store Description:

- EQ560 Standalone application — Full FREE!
- EQ560 AUv3 plug-in — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the EQ560 AUv3 plug-in as many times as you want, thereby you get the Demo period again and again.) Unlimited version of EQ560 AUv3 plug-in comes as In-App Purchase.

The EQ560 based on Classic American EQ from the late '60s, the 10-band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement.

Features:

- Standalone and AUv3 plug-in;
- Precise port of Rack Extensions plug-in;
- Modeled vintage EQ;
- 10 bands of proprietary equalization;
- Familiar graphics operation on one octave centers;
- 12 dB of boost/cut per band;
- «Proportional Q» narrows filter Q at extremes;
- IN/OUT switch allows the user to bypass the Graphic EQ for before/after comparisons;
- Stereo (Mono), Mid or Side EQ modes.

The curve shaping potential is unmatched, while unique Proportional Q design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings.

The EQ560 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. Allows you to choose between equalizer modes (Stereo, Mid, Side) and remove analogue saturation from the processing circuit to deliver pure digital sound.

The EQ560 is handy when you need to make EQ adjustments on larger parts of the spectrum instead of a restricted area. Boosting or cutting several bands at once will radically alter the sound of a track, be it a thin, weak snare that needs low end or a dull vocal that needs to be opened up.

The EQ560 app filters the microphone input and plays it back in real-time. To use EQ560 as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — EQ560 will appear in the list of Audio Unit extensions for effect plug-ins in the host app.

The EQ560 is a great complement to the parametric EQ550 and EQ550b.

ShockWave

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App Store Description:

ShockWave is a monophonic Synthesizer designed to bring modular style workflow to the world of iOS & AUv3 plugins.

Built around the concept of Phase Distortion (PD) Synthesis, Shockwave includes a pair of PD Oscillators each capable of creating everything from pure Sine Waves over smooth Sawtooth and Square Waves to Resonance & Sync sweeps, filtered Noise and more.

In addition to the Synth Voice, ShockWave includes a dedicated control section housing a pair of 8 step sequencers, a sample & hold module as well modules for trigger divisions, logic comparisons and controlled randomness.

A pair of Low Frequency Oscillators and 2 Attack/Sustain/Release (ASR) Envelopes serve as main modulation sources and can be used in a number of ways. Envelopes can be triggered from a number of internal sources including other modules such as trigger divider, logic or chance module but can also be connected to each other allowing for a wide range of patches usually only possible in large modular systems. LFOs are individually tempo sync-able and capable of producing total of 5 different waveforms each.

The two sequencers can run independently or combine to one 16 step sequence where rate and length can be controlled independently for each of the two.

In true modular nature almost any control within ShockWave can be modulated with up to 11 sources - simultaneously. Modulations are setup simply by holding a control and dialling in the desired amount in a list of all available sources. A special X-Ray mode adds a realtime display of all currently active modulations right at their corresponding control making it easy to understand what's happening inside the synthesizer at any given time.

Synth Voice and Control Section are accompanied by built-in Delay and Reverb sections placed on send busses with all of their controls including the send levels being available as mod destinations.

Last but not least, ShockWave features a solid MIDI implementation including support for, aftertouch, velocity, wheels, custom CC mappings and up to 4 dimensions of expression when using MPE compatible controllers, such as the Roli Seaboard, Linnstrument, Geoshred, KB-1 and others.

MIDI Output is supported as well and includes Note and Control Change output generated from various internal sources including Sequencers, Envelopes and LFOs making it possible to control external MIDI gear or chain multiple plugin instances for advanced, self driving patches.

Overview:
- Semi Modular Monophonic Synth Voice
- Phase Distortion Synthesis (PD)
- Dual PD Oscillators with 5 Waveforms + Noise
- Dual ASR Envelopes with variable trigger source
- Dual LFO with Tempo Sync
- Cross Modulation with Linear/Exp. FM, PM, AM & RM
- Mixer section with individual pan and level controls per oscillator
- Output VCA with variable control source
- Pattern Generator for generating sequences from various internal sources
- Quantizer to force note input into a specific scale (19 Scales + User Scales)
- Step Sequencer with 2x8 or 1x16 steps, individual rate and number of steps per row
- Trigger Divider for dividing internal trigger sources
- Probability Gate for adding controlled randomness
- Sample & Hold for additional randomness
- Logic Module to create triggers from various internal sources
- Built-in Delay & Reverb Effects
- MIDI Note and CC output for controlling external gear or chaining multiple instances
- Semi Modular Architecture
- 11 Modulation Sources
- 40 Modulation Destinations
- 2 Color Themes

MIDI Input:
- 4D Expression (Glide, Slide, Pressure & Velocity)
- Mod & Pitch-Wheel
- Tempo Sync
- Custom CC Control

MIDI Output:
- Note
- Control Change

Connectivity:
- Standalone
- AUv3
- AudioBus
- IAA

SynthTool

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App Store Description:

This APP is used to control Behringer's synthesizers and firmware update.
The user needs to prepare a lightning to USB B cable to connect the Behringer's synthesizer to iOS device.
This APP will prompt the user to upgrade the connected synthesizer's firmware if available in the Behringer's Cloud.

EZ Crusher

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App Store Description:

EZ Crusher is an audio FX plugin is the perfect solution to all your distortion needs. It’s capable of a huge variety of FX with an intuitive and simple to use interface.

There are four types of distortion – an analogue style saturator, an intense distortion, a digital bitcrusher, and a phase-style distortion. Each one has its own distinct character to beef up your leads, or add an analogue warmth to your mixes.

The interface is centred around an XY pad, which controls a bespoke range of parameters within each distortion unit. The noise control will give your sound an old-school tape style hiss to your track.

EZ Crusher runs as an AUV3, with all its parameters exposed for automation and state-saving from within any DAW. It is very lightweight on CPU usage and you can chain many instances together for more complex FX.

EZ Crusher is part of the EZ FX suite, which also includes EZ Modulator, EZ Reverb, EZ Delay and EZ Filter – all available as part of the EZFX bundle.

Features:

- Four types of distortion – saturation, distortion, bitcrush and phase.
- Mix, input and output controls
- A noise control
- AUV3 ready
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