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Minimoog Model D

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iTunes Description:

The Minimoog Model D App is a mobile transmutation of the world’s first portable synthesizer, the Minimoog Model D®. Optimized for use on all 64-bit iOS devices, anyone can jump in and play with over 160 included presets or lay fingers to the controls and begin exploring vast magical realms of creative potential.

Taking full advantage of the iOS platform, the Minimoog Model D App incorporates a number of inspiring sound creation tools and capabilities not present on its analog antecedent. New functions include the ability to play chords with up to four-note polyphony, an easy-to-use arpeggiator for rhythmic pattern creation, a real time looping recorder with unlimited overdubbing capacity, a tempo-synchronizable stereo ping pong delay module, and the Bender -- a wide-range stereo time modulation effect module.

The Minimoog Model D App also supports AUv3 Audio Unit extensions, which allows multiple instances of this powerful instrument to be used simultaneously within compatible iOS apps like Apple’s GarageBand®.

Introduced by Moog in 1970, the Minimoog Model D served as the archetype for all electronic keyboards that followed. It gave users the ability to design their own sounds, translating imagination into reality. The Minimoog’s portability, affordability and accessibility made it the go-to instrument for musicians looking to expand beyond the traditional sounds of the time. Bernie Worrell used the Minimoog Model D to establish Parliament Funkadelic’s futuristic funk sound. Kraftwerk employed the Minimoog Model D on the successful concept album Autobahn, sparking an entirely new genre. Gary Numan replaced his live band’s guitars with Minimoog Model Ds, creating the prototype for industrial music. The classic sound of the Minimoog Model D can be heard on Bob Marley’s Catch A Fire, Michael Jackson’s Thriller and Dr. Dre’s The Chronic; Detailed in the mini-doc series “A Brief History Of The Minimoog”.

• Ships with over 160 presets (Hundreds more available in the Minimoog Model D App Store)
• Up to 4-notes of polyphony
• Easily share presets and audio recordings with friends
• Arpeggiator module with note-hold capability
• Stereo ping-pong delay effect
• Bender time modulation effect
• Real-time looping recorder with overdub and immediate sharing
• Selectable envelope shapes and triggering behavior
• Effortless MIDI CC mapping
• Seamlessly backup presets to iCloud
• Play mode for easier panel and keyboard interaction
• A new take on the classic feedback/overload path

• All 64-bit iOS devices
• AUv3 Audio Unit Extensions (Including GarageBand)
• Note-per-channel MIDI controllers (MPE)
• Ableton Link
• Inter-App Audio and Audiobus
• 7 and 14-Bit MIDI
• MIDI Program Changes
• Bluetooth LE MIDI controllers
• Share over AirDrop, Mail or other iOS applications

Machina MIDI

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iTunes Description:

Connect your MACHINA to trigger MIDI notes inside your iOS device, use that midi messages with other music apps and start to create music with your body movements.

Victorian Chapel Organ

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iTunes Description:

Victorian Chapel Organ is a small but powerful instrument, perfect for small Houses of Worship or home organ practice.

Victorian Chapel Organ does not use samples, leading to an extremely small application footprint. But don’t be fooled by its size. This organ makes some giant sounds, and at the same time will run happily on very old hardware, including iPad 2, iPhone 5C and iPod Touch 4G.

The organ may be played with 2 MIDI controller keyboards and pedals attached, just 2 keyboards, or just a single keyboard.

All three divisions can be played using a single keyboard. The couplers allow a single keyboard to play both the Great and Swell divisions, and the smart 'Auto Pedal' coupler pushes the lowest note played on the Great to the Pedal division, giving powerful bass reinforcement and allowing the full compass of the instrument to be reached via a single keyboard. The Swell division responds to Mod Wheel, Expression and Volume (CC 1, 11 and 7) as 'swell pedal', the Great channel's Volume (CC 7) sets the level of the overall instrument. A 'Crescendo' pedal feature allows stops to be pulled out and pushed in progressively to add or reduce volume. Crescendo responds to either of Pedal MIDI channel CC1 or CC11 (Mod Wheel or Expression)

Despite having just 19 stops, the hollow flute tones of the Swell's Stopped Diapasons, plus its ranks of harmonically-rich reeds, perfectly complement the beautiful, classical smoothness of the Great. The organ offers a hugely flexible palette of sounds from its carefully-designed stops. And the organ's dynamic range is huge, the difference between a solo Vox Humana at minimum swell and all stops out / all couplers out is startling, just like a real church organ.

For those without daily access to a private chapel for practice, the organ contains an artifical reverberator that can be accessed within the 'Settings' page.

Great Stops :
8' Principal
4' Octave
2' Super Octave
8' Recorder
8' Oboe
Mixture 4 ranks ( with breaks)

Swell Stops :
8' Stopped Diapason
4' Stopped Diapason
2' Stopped Diapason
8' Clarinet
4' Clarinet
2' Cor Anglais
8' Vox Humana
8' Vox Celeste
8' Viola
2 2/3' Nazard

Pedal Stops :
16' Bourdon
16' Bassoon
16' Mixture (borrows 8' and 4' ranks from Great and Swell)

Tremulant : acts on the Swell division. This makes the Pedal Mixture slightly tremulant as it uses Swell ranks.

The Vox Celeste is tuned slightly sharp and is designed to beat beautifully against Vox Humana, Viola and 8' Clarinet.

Swell To Great : couples a keyboard on the Great channel to the Swell division

Sub Octave : all notes played on the Great are duplicated an octave down for low-end reinforcement and increased power

Octave : all notes played on the Great are duplicated an octave up for increased brightness and power

Auto Pedal : intelligently maps the lowest played note on the Great to the Pedal division

The entire console state of stops and couplers may be captured onto 7 pistons, allowing instant access to your favourite registrations. The pistons may be mapped to drum pads on popular MIDI controllers for even more rapid access to registrations.

4 on-screen LEDs give visual feedback to activity on the Great, Swell and Pedal MIDI channels, as well as helping when programming pistons. The LEDs are colour-coded, blue for Great, Green for Swell, Purple for Pedals.

Motion MIDI by Hollt

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iTunes Description:

Motion MIDI by Hollt allows you to control your MIDI parameters in any MIDI software available. Just hold the MIDI knob in the app and move your device from left to right to trigger the parameter. You can trigger up to six knobs in our app! Once its set, you can be creative on stage like no one else.

How to connect the app to your Mac?
- Install the app, and make sure your Bluetooth is on.
- enable the Bluetooth from the app by Bluetooth settings in the bottom left corner.
- Go to your Audio / MIDI configuration settings on your Mac.
- Open the window ‘MIDI-Studio’, and click on the Bluetooth icon.
- Connect your phone in this Bluetooth window.
- Go to your DAW / MIDI software and check your MIDI connections, make sure your device is enabled.
- Trigger one of the knobs in the app and move from left to right.
- Be creative, now move it!

FAC Maxima

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iTunes Description:

FAC Maxima is an audio effect designed to provide automatic gain control of your audio materials to ensure that the levels stay consistent and never exceed 0dB. It's a clever combination of dynamic processors that can be set to provide a gentle transparent signal boost respecting the initial dynamic or significant colorised level maximisation. Thanks to a unique signal path, algorithms and a small set of parameters, FAC Maxima makes a complicated task easy.

In addition to the classic final stage application, FAC Maxima excels on individual tracks too. With a few changes it's easy to go from the common gain deviation compensation, e.g. for vocals, to drastical audio changes that will bring your audio material to new territories: boost reverb tails, flattenize drums… The applications are various and the possibilities are limitless.

• Get the final touch!
FAC Maxima definitely makes audio louder and that makes it an effective tool in many mastering engineers’ arsenals.

• Be creative!
Emphasis subtitle details, sometimes floor contains treasure, you will have a completely new listen to your old tracks! The audio background may indeed contain noise, but sometimes also "pearls" that may be revealed.

• Go further!
Tired by the advertisement boost, or important speech level variation in broadcasting? Use FAC Maxima to maintain the level constant. DJ's may also benefit from the effects to normalise in real time the level of the mixed tracks.

As with all FAC products the interface has a unique sober look and provides a great user experience. FAC Maxima also brings a real-time multi-waveform graph having a 6s buffer of the audio material before and after operations, this will help on setting the right parameters and have a visual feedback.
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